Op Art is an art style that utilizes optical illusions to create visual impressions of movement, vibration, and other perceptual effects. Its techniques include employing repetitive patterns, high-contrast colors, curved lines, and moiré patterns. These elements work together to induce visual illusions and evoke a sense of disorientation in the viewer.

This is my logo. It consists of my initial, Y and H. I'm gonna swing my logo around

An impossible calculation—division by zero. This work visualizes the breakdown that follows: a collapse of logic, a fall into chaos, and the disintegration of form itself.

In 2015, there was a bomb attack nearby a place where I sometimes go shopping. I heard the roar of the explosion. 20 people died and 125 had been injured. It was possible I died too. I later heard that a woman had been blown across the street, screaming and died. Why would someone do something like this? Even if they had political or religious beliefs, what could they have to do with this woman's tragic death?

The "Starlight" series was created to capture the intense, fiery energy of stars seen up close, to pursue their beauty, and to express their brilliant light. This is one of the works in that series.

One of my childhood dreams was to visually represent Mussorgsky's suite "Pictures at an Exhibition." Recently, that dream finally came true. This is one of the works in that series.

An exploration of light, color, and impermanence, this work captures the fragile beauty of floating bubbles. Iridescent surfaces refract a full spectrum of hues, shifting continuously against a soft, luminous background. The composition evokes a sense of weightlessness and quiet motion, where forms seem to drift beyond fixed boundaries. Both playful and contemplative, the image reflects on the fleeting nature of perception and the delicate structures that briefly hold it together.

The work unfolds as a surreal procession of distorted horse-like forms, suspended between motion and disintegration. Limbs stretch, dissolve, and reconfigure across a layered grid, suggesting moments fractured and reassembled beyond linear time. The interplay of vivid reds, yellows, and deep shadows creates a tension between vitality and decay, as if each figure carries traces of past and future selves.

Wesenwille, a German philosophical term translated as "essence will" or "being will," resonates with me as a call to unleash my inner potential and live in alignment with my true self. For me, this pursuit finds its fullest expression through the creation of art.

"Vortex" is a ubiquitous phenomenon, as evident in the swirling currents of rivers and streams, the tempestuous fury of tornadoes and typhoons, and the mesmerizing dance of galaxies in the cosmos. I am captivated by the beauty that lies within these commonplace occurrences and driven to explore its depths.